Gina Marchetti

Gina Marchetti teaches courses in film, gender and sexuality, critical theory and cultural studies. Her books include “Yellow Peril”: Race, Sex and Discursive Strategies in Hollywood Fiction (Berkeley: University of California, 1993)，From Tian’anmen to Times Square: Transnational China and the Chinese Diaspora on Global Screens (Philadelphia: Temple University Press, 2006)，Andrew Lau and Alan Mak’s INFERNAL AFFAIRS—The Trilogy (Hong Kong: Hong Kong University Press, 2007)，The Chinese Diaspora on American Screens: Race, Sex, and Cinema (Philadelphia: Temple University Press, 2012)，Citing China: Politics, Postmodernism, and World Cinema (Honolulu: University of Hawaiʻi, 2018)

She has co-edited several anthologies, including Hong Kong Film, Hollywood and the New Global Cinema, with Tan See-Kam (London: Routledge, 2007), Chinese Connections: Critical Perspectives on Film, Identity and Diaspora, with Peter X Feng and Tan See-Kam (Philadelphia: Temple University Press, 2009), Hong Kong Screenscapes: From the New Wave to the Digital Frontier, with Esther M. K. Cheung and Tan See-Kam (HKUP, 2011), The Palgrave Handbook of Asian Cinema, with See Kam Tan and Aaron Magnan-Park (London: Palgrave Macmillan, 2018).

Her current research interests include women filmmakers in the HKSAR, China and world cinema, and contemporary trends in Asian and Asian American film culture.

Education

• Doctor of Philosophy (PhD) Northwestern University (1977 — 1982)